I talked a bit about using music as a way to clear your head the other day, which made me realize that music I currently listen to is a key part of my writing process. Not just because I need to tune out my wife’s television shows while I’m working, but because the words flow more easily when I’ve got a groove in my head.

So what was I listening to while writing FAMISHED: THE FARM?

Ambient music, mostly. No words, or words in a language I don’t understand. French seems to work well for some reason.

The Dusted Jazz albums from Jenova7  blend jazz and trip-hop in a delicious combination that lent themselves well to the few urban scenes in the novel, as well as a lot of the dialogue pieces.

For the scenes with the wendigo, wound, and other spirits of nature, Until We Meet the Sky by Solar Fields worked a shoegaze trance that put me into a different, driftier headspace. While the spirits I’m writing about are anything but unfocussed, it helped me disconnect a bit from my humanity in order to wrap a little alien into their features.

Into the Hinterland by the Secret Exploration Society and the soundtrack to the videogames Bastion and Minecraft both made good background tracks for places that needed better description or sharpening scenes.

And while I haven’t read or seen The Hunger Games, the fact that Sam Cushion actually wrote an orchestral fan-score for the book called Music of Panem: Beginning of a Rebellion tickled me so much that I kept it on repeat whenever I started wondering if my work was worth the effort. The thought that other creators might one day get something out of my creations¬† kept me going through the rough spots.

Of course, different projects call for different music. My works of suburban horror tend to more modern or cool jazz such as Dave Brubeck, the Trio Vadim Fyodorov, or Nick Pride and the Pimptones; while my fantasy stories are almost always backed by either alternative world music from artists like Azam Ali or Irfan, or a shuffling of darkfolk and modern stoner metal such as The Sword of Doom or Witch.

What music fuels your passion and creativity?