Web: Raue Center for the Arts

My friends at the Raue Center have been wonderful clients for a long, long time. We recently redid their twin Web sites – rauecenter.org and wsrep.org – as part of transitioning to a more user-friendly site for both clients and administrators. It was something of a challenge, but I’m very happy with the way it turned out!

The client wanted something cleaner, bolder and more modern looking than the original site. They wanted something they could update on their own, rather than reaching out to a third-party Web developer. There was a strong push toward integrating blog functionality and putting the social media efforts of the client easier to follow.

As a result, we decided on the WordPress format, which met all requirements listed. I worked closely with the Coraline theme from Automattic , keeping the basics unchanged while focusing on client requests for color change, graphic elements and social media integration.

Locating the proper widgets and applications turned into one of the most enjoyable aspects of the project, as did specific application of icons. Once launched, the admins have found it simple to maintain and keep up with.

I’m happy with the work – and, of course, being featured in some of the photos doesn’t hurt either. ::grin::

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Logo: Sage Studio; Raue Center for the Arts

In April, the Raue Center for the Arts reached out for another logo development project. This was for the Sage Studio, their educational arts programs for all ages.

In this case I was given an existing logo and asked to develop something similar; a two-tone logo which included text clipping and masking. I delivered three thumbnails for their review:

Sage Sudio initial thumbnailsThe top left was chosen as the baseline, though the client did emphasize that they would like more clipping and masking of the text. As a result, I delivered four new treatments based on the thumbnail:

Sage 2nd DraftsThe client then asked to add a film-style clipboard in the background, operating off the top right of the four above logos. I found that keeping the “Studio” in place naturally failed when implementing the clipboard, so bumped it up in line with the “e” in Sage.

Sage with clipboardsThe bottom left logo was chosen as the final, which was delivered in .ai, .eps, and .jpg; along with versions for black, white, or transparent backgrounds. The entire project took less than five days.

Final treatment of Sage Studio logo

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Logo: Lucy’s Cafe, Raue Center for the Arts

This logo was an emergency project for Raue Center for the Arts, a local theatre with whom I work regularly. The request was for a creative direction that included the keywords: “Younger, retro tin signs, weathered, cool, hip, exclusive, underground.”

The project had a three-day deadline, which included delivery of full-color, black and white, greyscale and layered versions of the logo. Working with the marketing manager, I delivered two concepts in greyscale:

Rejected logo treatment for Lucy's Cafe.Initial draft for Lucy's Cafe

A brief discussion followed, and the second was chosen. Some back and forth on color and fonts later, we landed on the agreed-upon logo:

Lucy's Cafe

Logo design for the Raue Center for the Arts: Lucy's Cafe

 

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Porque au Provence with Garlic Dipping Sauce

So today at work I got a solid day in. Missed the gym, but got 2,000 words written on Idolwood’s final stages of character development in the afternoon. And I came home ready to get to some serious cooking.

I’ve made the Herbes du Provence before, and it’s dead easy so long as you have the herbs and a decent mortar and pestle for the fennel seed. Last time I did it on a pair of pork chops for myself, but I really wanted L to have a taste of it, and she doesn’t care for chops. Luckily, pork tenderloin is right in line with what she does enjoy: Buttery and tender. Like my voice.

While I was getting the herbs ready I had three heads of garlic roasting in olive oil in the oven. Once the herbs finished up, I sliced the silverskin away from the tenderloin and drizzled it over with a tablespoon of extra virgin olive oil, then rolled it in about half the herbs pictured above, patting and rubbing it in with extra care paid to the ends – after all, they’re the best part, might as well be the most heavily herb-crusted, right?

This done, I called up Dawn at Le Petit Marche in hopes of getting some baguettes, but she’d sold out earlier in the day. Good for her, and (as it turned out) good for me – I ran up to Joseph’s Market to pick up french bread and came home with salad fixings, including a beautiful bulb of fennel to slice up as a complement to the dried fennel in the rub. Grabbed some lima beans as well – frozen, but L’s been working hard on the 2011 taxes, so I wanted her to have a quick side option. The original plan had been for roasted sweet potatoes and onions, but between the time issue and the addition of bread I thought that might be a little much.

Once home I threw the pork on the grill on indirect heat and set to the garlic paste. I immediately ran into trouble, as the garlic didn’t provide as much as I’d hoped. Additionally, I put in a bit too much salt and sugar when estimating and eyeballing. I was about ready to call it quits and just set up a flavored butter when I realized the recipe called for extra water as needed. I’m normally leery of thinning the sauces, but this was just what it needed! Two tablespoons of distilled water and an extra 1/4 cup of parsley, throw it in the food processor, and voila!

(I promise you, it tastes better than it looks. Because it LOOKS like ambergris mating with slugs. But it was delicious.)

We pulled the tenderloin inside and rested it in a ceramic cloche while L finished up the salad. Mom brought by a great dry Reisling (recommended, once again, by the wonder that is Dawn) and homemade pfefferneusse cookies for a dessert. We enjoyed the wine and some cheese over the french bread before slicing into the tenderloin.

Smoke ring? Check. Done throughout? Check. Moist? Well, let’s say moist enough. I think an extra five minutes and I would’ve lost it, but I wanted mom and L to be comfortable with the doneness. Left to my own devices it would’ve been in ten minutes earlier and still a luscious pink just on the inside.

Overall, though, a rousing success. Next time I think I want to roll the garlic paste into the tenderloin before rubbing it in the herbs – create a one-two punch and keep the meat a shade moister. We’ll see what happens.

For now, though, L is back to her paperwork. I’ve got a few fingers of twelve-year MacAllan and setting the word processor to stun for another (hopefully) 500 – 600 words before bedtime. I’m enjoying this trend and I’d like to keep with it.

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Tilapia Oreganata

Is Oreganata even a word? It sounds like a sailing event in Parma.

Anyway, you guys, I know this is something that probably most cooks learn to do at the age of like negative two months, but it’s the first time I’ve cooked a fish that wasn’t a side of salmon, and I’m so pleased!

See, the missus doesn’t care much for the smell of fish; and it wasn’t exactly a big part of my diet growing up about as far from a coast as non-Siberians get. Today, though, we had a big breakfast, I’d planned a calorie-intensive dinner, the missus was going to be locked in her art studio, and I’d found this recipe at skinnytaste.com yesterday.

THE PERFECT STORM. [end Peter Falk impression] [RIP Peter Falk]

I altered the recipe slightly:

Two tilapia filets
Salt & Pepper to taste
2 Tbsp minced oregano (from the garden)
2 cloves minced garlic
1 Tbsp bread crumbs

Season the tilapia with salt, pepper, oregano and garlic.
Drizzle with olive oil and bread crumbs.
Grill on indirect heat for 10 minutes, move to direct heat, grill (covered) about 5 minutes.
Squeeze lime onto filets, serve over light salad and grape tomatoes.

I also threw some leftover French bread on the grill the final two minutes, because I wanted some carbs desperately. It was light and succulent, with crispy oiled bits along the side and plenty of fresh earthy flavor from the herbs and lettuce. Eating it outside made everything better, too.

One thing I would change: I served it alongside a glass of Argentinian Torrontes white from Crios, which is delicious on its own but a little heavy for the meal above. I’m looking forward to finishing the bottle over smoked pork tonight, though.

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